"Fausto : "Música de Ballet" - Moderato con moto" by The Royal Alhambra Orchestra was released on January 14, 2013. The duration of Fausto : "Música de Ballet" - Moderato con moto is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Fausto : "Música de Ballet" - Moderato con moto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Classical Strings by The Royal Alhambra Orchestra. Fausto : "Música de Ballet" - Moderato con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fausto : "Música de Ballet" - Moderato con moto by The Royal Alhambra Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie-Impromptu in C-sharp Minor, Op. posth. 66 | Makiko Takeda | D♭ Major | 0 | 3B | 81 BPM | ||
Requiem, Op. 48: 3. Sanctus | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 143 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31/2 "Tempest": III. Allegretto | Sylvia Capova | G Minor | 2 | 6A | 82 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | ||
Carmen, Suite No.1 : II. Aragonaise | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | D Minor | 1 | 7A | 118 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Dmitri Alexeev | B♭ Major | 2 | 6B | 81 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | G Major | 3 | 9B | 91 BPM |
Section: 0.8403632640838623
End: 0.8446886539459229