"La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán"" by Miguel Ramos Carrión, Ruperto Chapí, Gran Orquesta de Cámara de Madrid was released on December 3, 2013. The duration of La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán" is about 3 minutes long, at 3:02. Based on our data, "La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zarzuela: La Tempestad by Ruperto Chapí, Miguel Ramos Carrión, Gran Orquesta de Cámara de Madrid. The song's track number on the album is #4 out of 14 tracks. Based on our data, Spain was the country where this track was produced or recorded. In terms of popularity, La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán" by Miguel Ramos Carrión, Ruperto Chapí, Gran Orquesta de Cámara de Madrid has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Tempestad: "Din Don, Din Dan, Alegres las Campanas, Repica el Sacristán" being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcha Real. Himno de España. (Con Letra) | Vox Populi | A Major | 7 | 11B | 81 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Sento nel core | Tito Schipa | G Minor | 1 | 6A | 85 BPM | ||
Soledad | Rosario Armas, Ahmed Alom | A♭ Minor | 2 | 1A | 74 BPM | ||
Luisa Fernanda, Acto iii: Romanza de Vidal y coro de vareadores | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A♭ Major | 2 | 4B | 101 BPM | ||
El Rey Que Rabió: "Nocturno" | Miguel Ramos Carrión, Ruperto Chapí, Vital Aza, Gran Orquesta Sinfonica | F Major | 1 | 7B | 68 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Gigantes y Cabezudos | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | E Major | 4 | 12B | 111 BPM | ||
El Rey Que Rabió: "Preludio" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Gran Orquesta Sinfonica, Ataúlfo Argenta, Jose Perera, Julian Perera | E♭ Major | 3 | 5B | 98 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM |
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