26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) - Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan Information

Acousticness: 89%
Danceability: 17%
Energy: 2%
Instrumentalness: 42%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -26.38 dB

Summary

"26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio)" by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan was released on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #34. 26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) BPM

With 26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

26 Variations on "La Follia di Spagna" (1815): Variation 25 (Adagio) Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	4	6A	146 BPM
Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro	Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment	F♯ Major	3	2B	98 BPM
Armide: Overture	Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown	B♭ Major	1	6B	70 BPM
Sinfonia in D Major, "La Veneziana": III. Presto	Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel	D Major	1	10B	109 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	G Major	2	9B	94 BPM
Viola Concerto in C Minor: I. Allegro molto ma maestoso	Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens	C Minor	2	5A	96 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau	D♭ Minor	3	12A	132 BPM
Sinfonia in E major, RV 132: III. Allegro	Karoly Botvay	E Major	1	12B	187 BPM
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): I. Larghetto	Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür	C Major	1	8B	87 BPM
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto	Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd	D Minor	2	7A	76 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8399722576141357

End: 0.8444418907165527