"Missa duodecanonica: Agnus Dei" by Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava was released on June 4, 2013. With Missa duodecanonica: Agnus Dei being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Rautavaara: Missa a cappella". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Finland. Missa duodecanonica: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa duodecanonica: Agnus Dei by Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vigilia: No. 7, Ehtoohymni | Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek | G Minor | 0 | 6A | 79 BPM | ||
All-night Vigil, Op. 37, "Vespers": Bless the Lord, O my soul | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | C Major | 1 | 8B | 80 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Violin Concerto in D Minor, Op. 15: I. Moderato con moto | Benjamin Britten, Lorraine McAslan, English Chamber Orchestra, Steuart Bedford | D Major | 2 | 10B | 101 BPM | ||
Das Orgelbuchlein, BWV 599-644 (arr. L. Stokowski): Orgelbuchlein: Nun komm, der Heiden Heiland, BWV 599 (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 121 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM |
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