"Vigilia: No. 7, Ehtoohymni" by Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek was released on September 6, 2019. The duration of Vigilia: No. 7, Ehtoohymni is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Vigilia: No. 7, Ehtoohymni's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Rautavaara: Vigilia". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Vigilia: No. 7, Ehtoohymni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vigilia: No. 7, Ehtoohymni by Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli, P. 154: II. La colomba | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | F♯ Minor | 0 | 11A | 91 BPM | ||
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
Preludes, Op. 7: 4. Koraali ja muunnelma (Chorale and Variation) | Einojuhani Rautavaara, Laura Mikkola | G Minor | 2 | 6A | 90 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | ||
Symphonic Suite "White Night": I. White Night | Heino Eller, Estonian National Symphony Orchestra, Olari Elts | F♯ Minor | 0 | 11A | 108 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM |
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