Francisco Tárrega, Narciso Yepes made "Lágrima: Andante" available on January 1, 1983. The duration of Lágrima: Andante is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Lágrima: Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tárrega: Recuerdos de la Alhambra;/ Lágrima; Danza mora; Adelita; Pavana; Jota". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Lágrima: Andante's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lágrima: Andante by Francisco Tárrega, Narciso Yepes having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capricho arabe | Francisco Tárrega, Ana Vidovic | D Major | 1 | 10B | 85 BPM | ||
Iberia: 3. Puerto | Paco de Lucía, Jose Maria Bandera, Juan Manuel Canizares | A Major | 2 | 11B | 81 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
La Frontera de Dios: II. Meditacion | Regino Sáinz de la Maza, Franz Halász | E Minor | 1 | 9A | 117 BPM | ||
Pavana | Francisco Tárrega, Fernando Espí | E Major | 1 | 12B | 104 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM |
Section: 0.5566506385803223
End: 0.561485767364502