"Serenade in B-Flat Major, K. 361 "Gran Partita": 3. Adagio (Arr. Christian Gottlieb Schwenke)" by Diana Doherty, Sinfonia Australis was released on May 13, 2016. With this song being about 5 minutes long, at 5:02, "Serenade in B-Flat Major, K. 361 "Gran Partita": 3. Adagio (Arr. Christian Gottlieb Schwenke)" by Diana Doherty, Sinfonia Australis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "My First Mozart Album" album is number 10 out of 18. Serenade in B-Flat Major, K. 361 "Gran Partita": 3. Adagio (Arr. Christian Gottlieb Schwenke) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in B-Flat Major, K. 361 "Gran Partita": 3. Adagio (Arr. Christian Gottlieb Schwenke) by Diana Doherty, Sinfonia Australis to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: III. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | F♯ Minor | 2 | 11A | 131 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Cambiamenti Concertant 4 - Mosso-Piu Mosso-Lento | Ernst Pfiffner, Diana Doherty, Thomas Waldner | A♭ Major | 0 | 4B | 168 BPM | ||
Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
Concertino in E-Flat for Oboe and Orchestra: II. Allegro polonese | Vincenzo Bellini, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 134 BPM |
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