Charles Gounod, Andrea Bocelli, Eugene Kohn's 'Invocation' came out on January 1, 2011. The duration of Invocation is about 3 minutes long, at 3:01. Based on our data, "Invocation" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Notte Illuminata". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Italy. Invocation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Invocation by Charles Gounod, Andrea Bocelli, Eugene Kohn having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle de Sainte Cecile: Sanctus | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 2 | 7B | 89 BPM | ||
Werther: Pourquoi me réveiller (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Michael Stern | G Minor | 2 | 6A | 105 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102 (Version for Piano Duet): II. Andante | Dmitri Shostakovich, Min Kyung Kim, Hyung Jin Moon | C Minor | 0 | 5A | 179 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Gounod: St. Cecilia Mass in G Major: IV. Sanctus | Charles Gounod, Georges Prêtre, Orchestre Philharmonique de Radio France | F Major | 0 | 7B | 83 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Romeo and Juliet, Fantasy Overture | Symphony Elegant | B Minor | 0 | 10A | 69 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
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