Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir's 'Matthäus-Passion, BWV 244 / Erster Teil: No. 3 "Herzliebster Jesu, was hast du verbrochen"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 3 "Herzliebster Jesu, was hast du verbrochen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Erster Teil: No. 3 "Herzliebster Jesu, was hast du verbrochen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 3 "Herzliebster Jesu, was hast du verbrochen" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM | ||
I. Ein Feste Burg Ist Unser Gott BWV 80, Coro: Ein Feste Burg Ist Unser Gott | Holland Boys Choir; Netherlands Bach Collegium, Frank Wakelkamp, Knut Schoch, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Martin Mans, John Wilson Meyer, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 3 | 3B | 88 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: 27. "So ist mein Jesus nun gefangen" - "Sind Blitze, sind Donner" | Johann Sebastian Bach, Barbara Bonney, Michael Chance, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | E♭ Minor | 0 | 2A | 110 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Concerto for Strings and Continuo in G minor, R. 156: 2. Adagio | Antonio Vivaldi, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 124 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM |
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