"Funeral Sentences For Queen Mary: Funeral March" by Timothy Brown, Nicholas Parker, Henry Purcell, William Carter, Tim Handley, Jan Schlapp, Andrew Manze, Jenny Ward - Clarke, Choir of Clare College, Cambridge, Liz Kenny, Jonathan Brown, Marshall Marcus was released on December 22, 2006. With Funeral Sentences For Queen Mary: Funeral March being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 13 out of 13. Funeral Sentences For Queen Mary: Funeral March is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Funeral Sentences For Queen Mary: Funeral March by Timothy Brown, Nicholas Parker, Henry Purcell, William Carter, Tim Handley, Jan Schlapp, Andrew Manze, Jenny Ward - Clarke, Choir of Clare College, Cambridge, Liz Kenny, Jonathan Brown, Marshall Marcus to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
L'Orfeo, Prologo: Ritornello - Dal mio permesso amato | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Le Concert Des Nations | D Minor | 1 | 7A | 89 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Dietrich Henschel | B Minor | 1 | 10A | 83 BPM | ||
If ye love me | Thomas Tallis, Choir of Clare College, Cambridge, Timothy Brown | E Major | 0 | 12B | 78 BPM | ||
Sacred Music: Jubilate Deo | Timothy Brown, Robert Howes, Andrew Manze, Choir of Clare College, Cambridge, Jenny Ward-Clarke, Henry Purcell, Keri Dexter, Baroque Brass Of London, Mark Bennet, William Carter, Jan Schlapp, Micheal Laird, Tim Handley, Nicholas Parker, Ron Bryans, Marshall Marcus, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Jonathan Brown, Liz Kenny | D Major | 1 | 10B | 141 BPM | ||
Chichester Psalms: Psalm 2, vv. 1-4 & Psalm 23 vv. 1-6. Andante con moto, ma tranquillo | Leonard Bernstein, Choir of Clare College, Cambridge, Timothy Brown, Lawrence Zazzo, Rachel Masters, The Wallace Collection | D Minor | 2 | 7A | 87 BPM | ||
Messiah, HWV 56, Pt. 1: And He Shall Purify | George Frideric Handel, Martin Pearlman, Boston Baroque | F♯ Minor | 2 | 11A | 112 BPM | ||
Sacordotes Domini | William Byrd, Choir of Clare College, Cambridge, Timothy Brown | A Major | 1 | 11B | 85 BPM |
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