"The Carnival of Animals: VII. Aquarium" by Camille Saint-Saëns, Hanspeter Gmür, Southgerman Philharmonic Orchestra was released on January 1, 2009. With The Carnival of Animals: VII. Aquarium being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #7. The Carnival of Animals: VII. Aquarium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Carnival of Animals: VII. Aquarium by Camille Saint-Saëns, Hanspeter Gmür, Southgerman Philharmonic Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Kinderszenen, Op. 15: No. 1 in G Major, Von fremden Ländern und Menschen | Robert Schumann, Ivan Moravec | G Major | 0 | 9B | 73 BPM | ||
Ballade No. 1, G-Moll, op. 23 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Minor | 1 | 6A | 65 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) | Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach | D Major | 1 | 10B | 79 BPM | ||
Konzert für Mandoline und Streicher in C Major, RV 425: I. Allegro | Budapest Strings, Béla Bánfalvi, Mandoline, Lajos Mayer | C Major | 3 | 8B | 85 BPM | ||
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | F Minor | 0 | 4A | 124 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 1. Adagio sostenuto | Ludwig van Beethoven, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 75 BPM | ||
Gayaneh: Ayesha's Dance | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Minor | 1 | 5A | 180 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM |
Section: 0.7587733268737793
End: 0.7643609046936035