"Four Mediaeval Welsh Poems for Harpe, Piano and Voice: No. 4, Claddu'r Bardd (The Poet's Burial)" by Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan was released on November 1, 2017. The duration of Four Mediaeval Welsh Poems for Harpe, Piano and Voice: No. 4, Claddu'r Bardd (The Poet's Burial) is about 3 minutes long, at 3:02. Based on our data, "Four Mediaeval Welsh Poems for Harpe, Piano and Voice: No. 4, Claddu'r Bardd (The Poet's Burial)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan's "My Last Duchess: The Songs of Grace Williams" album is number 10 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Four Mediaeval Welsh Poems for Harpe, Piano and Voice: No. 4, Claddu'r Bardd (The Poet's Burial) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Mediaeval Welsh Poems for Harpe, Piano and Voice: No. 4, Claddu'r Bardd (The Poet's Burial) by Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Etude de concert in E-Flat Minor, Op. 193 | Felix Godefroid, Susann McDonald | F♯ Major | 1 | 2B | 81 BPM | ||
Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto | Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | F Major | 0 | 7B | 171 BPM | ||
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM | ||
Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | C Minor | 1 | 5A | 73 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Violin Sonata: III. Allegro scherzando | Grace Williams, Madeleine Mitchell, Konstantin Lapshin | B Minor | 1 | 10A | 135 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM |
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