Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey made "Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro" available on February 3, 2017. Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey, Benjamin Spillner's "Haydn: Complete Symphonies, Vol. 23" album is number 1 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro by Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
String Quartet in D minor Op. 76 No. 2 "Fifths": I. Allegro | Franz Joseph Haydn, Alban Berg Quartett | D Minor | 1 | 7A | 129 BPM | ||
Der Fischer und das Milchmädchen: V. Corps de ballet | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
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