- BPM
- 95
- Key
- E♭ Major
- Camelot
- 5B
Requiem in D minor, K.626: 4. Offertorium: Hostias - Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 12%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -20.552 dB
Summary
"Requiem in D minor, K.626: 4. Offertorium: Hostias" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Requiem" album is number 10 out of 14. In terms of popularity, Requiem in D minor, K.626: 4. Offertorium: Hostias is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in D minor, K.626: 4. Offertorium: Hostias BPM
We consider the tempo marking of Requiem in D minor, K.626: 4. Offertorium: Hostias by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
Requiem in D minor, K.626: 4. Offertorium: Hostias Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | |
 | Die Zauberflöte, K. 620, Act I: Introduction. "Zu Hilfe, zu Hilfe! sonst bin ich verloren" (Tamino, Die drei Damen) | Wolfgang Amadeus Mozart, Orchestre Paul Kuentz, Elisabeth Vidal, Klaus Hager, Paul Kuentz | E♭ Major | 3 | 5B | 70 BPM | |
 | Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | |
 | Octet In E Flat, Op.20, MWV R20: 3. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | G Major | 1 | 9B | 147 BPM | |
 | Bassoon Concerto in A minor, R.498 - Performing Edition by Christopher Hogwood: 2. Larghetto | Antonio Vivaldi, Martin Gatt, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 134 BPM | |
 | Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Credo | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | |
| Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | |
| Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate": 2. Adagio - Presto - Adagio | Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 100 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6285407543182373
End: 0.6318955421447754