"Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major" by Franz Schubert, Alexandre Tharaud was released on October 22, 2021. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Schubert: 4 Impromptus, D. 899 & 6 Moments musicaux". In this album, this song's track order is #3. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, Alexandre Tharaud having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
3 Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Hélène Grimaud | E♭ Major | 0 | 5B | 138 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Piazzolla / Arr. Yamamoto: Libertango | Astor Piazzolla, Alexandre Tharaud, Beatrice Rana | G Major | 1 | 9B | 188 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Muse d'eau | Víkingur Ólafsson | E Major | 0 | 12B | 176 BPM | ||
Liszt: Wiegenlied, S. 198 | Franz Liszt, Bertrand Chamayou | A Minor | 0 | 8A | 62 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes | François Couperin, Alexandre Tharaud | C Minor | 0 | 5A | 67 BPM |
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