Georg Philipp Telemann, Rebel made "6 Sonates corellisantes: Sonata No. 2 in A Major, TWV 42:A5: IV. Corrente: Vivace" available on January 1, 2007. The duration of 6 Sonates corellisantes: Sonata No. 2 in A Major, TWV 42:A5: IV. Corrente: Vivace is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 6 Sonates corellisantes: Sonata No. 2 in A Major, TWV 42:A5: IV. Corrente: Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 39 in Chamber Music (Baroque) - Corelli, A. / Telemann, G.P. by Rebel, REBEL. 6 Sonates corellisantes: Sonata No. 2 in A Major, TWV 42:A5: IV. Corrente: Vivace is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 6 Sonates corellisantes: Sonata No. 2 in A Major, TWV 42:A5: IV. Corrente: Vivace by Georg Philipp Telemann, Rebel is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Sonata à 3 in D Minor, B. d2: I. Allegro | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonata Da Chiesa No. 2 in B Flat Major, Op. 5: III. Vivace | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | A Major | 4 | 11B | 89 BPM | ||
Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto | Giuseppe Sammartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Quatuor No. 5 in A Major: I. Prélude; Vivement | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Major | 2 | 4B | 110 BPM | ||
Pars VI In G Minor: IV. Amener (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | E Major | 1 | 12B | 118 BPM | ||
Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 2 | 12B | 81 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM |
Section: 0.5646698474884033
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