- BPM
- 68
- Key
- A Minor
- Camelot
- 8A
Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 - Heinrich Schütz, Collegium Vocale Gent, Mark Padmore, Philippe Herreweghe Information
- Acousticness
- 93%
- Danceability
- 22%
- Energy
- 5%
- Instrumentalness
- 3%
- Liveness
- 9%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 9%
- Loudness
- -25.332 dB
Summary
"Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316" by Heinrich Schütz, Collegium Vocale Gent, Mark Padmore, Philippe Herreweghe was released on 1996. The duration of Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schütz: Geistliche Chormusik". In this album, this song's track order is #6. Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 BPM
With Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 by Heinrich Schütz, Collegium Vocale Gent, Mark Padmore, Philippe Herreweghe having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Kleine geistliche Konzerte II: Wann unser Augen schlafen ein, SWV 316 Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | |
 | Kleine geistliche Konzerte II, Op. 9: No. 1, Ich will den Herren loben allezeit, SWV 306 | Heinrich Schütz, Gerlinde Sämann, Matthias Müller, Stefan Maass, Ludger Rémy | A♭ Minor | 2 | 1A | 173 BPM | |
 | Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | |
 | Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | |
 | Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | |
 | Symphoniae Sacrae III, Op. 12: No. 13, Siehe, dieser wird gesetzt zu einem Fall, SWV 410 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 50 BPM | |
 | Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | |
 | Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM | |
| Symphoniae Sacrae III, Op. 12: No. 15, Siehe, wie fein und lieblich ist, SWV 412 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 50 BPM | |
 | The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5526285171508789
End: 0.5572230815887451