"Symphony No. 2: II. Andante con moto" by Erwin Schulhoff, Tschechische Philharmonie, Gerd Albrecht was released on January 1, 2016. With this song being about 5 minutes long, at 5:08, "Symphony No. 2: II. Andante con moto" by Erwin Schulhoff, Tschechische Philharmonie, Gerd Albrecht is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Schulhuff, Haas, Klein & Ullmann: Orchestral Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Symphony No. 2: II. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2: II. Andante con moto by Erwin Schulhoff, Tschechische Philharmonie, Gerd Albrecht having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Wunderkammer: III | Danny Elfman, Joann Falletta, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 98 BPM | ||
Spring Nocturne | Frederick Laurence, Anna Tilbrook, Jack Liebeck | E Minor | 0 | 9A | 97 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | D Major | 3 | 10B | 113 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIII. Allegro alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
String Sextet, Op. 45 (1924): I. Allegro Risoluto | Erwin Schulhoff, Hyperion Ensemble, Annelie Gahl, Gunde Jäch-Micko, Firmian Lermer, Jörg Steinkrauß, Detlef Mielke, Astrid Sulz | B♭ Major | 0 | 6B | 115 BPM | ||
Esquisses de Jazz. Six Pieces Faciles pour Piano: No. 6, Black Bottom | Erwin Schulhoff, Tomáš Víšek | G Minor | 2 | 6A | 168 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM |
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