On January 1, 1998, the song "Esquisses de Jazz. Six Pieces Faciles pour Piano: No. 6, Black Bottom" was released by Erwin Schulhoff, Tomáš Víšek. With Esquisses de Jazz. Six Pieces Faciles pour Piano: No. 6, Black Bottom being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Schulhoff: Piano Cycles 1919 - 1936". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Czechia. The popularity of Esquisses de Jazz. Six Pieces Faciles pour Piano: No. 6, Black Bottom is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Esquisses de Jazz. Six Pieces Faciles pour Piano: No. 6, Black Bottom by Erwin Schulhoff, Tomáš Víšek having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Five Melodies, Op. 35b: IV. Allegretto leggero e Scherzando | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 2 | 10B | 78 BPM | ||
Ten songs: Embraceable you | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
Sonata for Violin and Cello (1920-22) / II. Très vif | Maurice Ravel, Yegor Dyachkov, Olivier Thouin | A Major | 1 | 11B | 79 BPM | ||
Prometheus: II. According to the Second... | Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra | A Major | 1 | 11B | 81 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 3 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM |
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