"Missa pro Defunctis (1544): Sanctus" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. The duration of Missa pro Defunctis (1544): Sanctus is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Missa pro Defunctis (1544): Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 13 out of 19. On top of that, Germany appears to be the country where this track was created. Missa pro Defunctis (1544): Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis (1544): Sanctus by Cristobal de Morales, Gabrieli, Paul McCreesh to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM | ||
O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
Parce Mihi Domine - Var. 1 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 0 | 6B | 144 BPM | ||
Missa pro Defunctis (1544): Evangelium | Cristobal de Morales, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 102 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Missa Desilde al cavallero: IIa. Gloria in excelsis Deo | Cristobal de Morales, De Profundis, Sam Barrett, Gregory Drott, Eamonn Dougan | F Major | 1 | 7B | 131 BPM | ||
Eternal Source of Light Divine | George Frideric Handel, Fair Oriana | B Major | 1 | 1B | 87 BPM |
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