"Maria durch ein Dornwald ging" by Rita Streich, RIAS-Symphonie-Orchester, Kurt Gaebel was released on January 1, 2003. With Maria durch ein Dornwald ging being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #11. Maria durch ein Dornwald ging is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maria durch ein Dornwald ging by Rita Streich, RIAS-Symphonie-Orchester, Kurt Gaebel having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Nacht in Venedig · Operette in 3 Akten (Korngold-Arr.), Erster Akt: Dialog | Symphonieorchester Graunke, Rita Streich, Anneliese Rothenberger, Hermann Prey, Christian Oppelberg, Gisela Litz, Marjorie Heistermann, Hans-Günter Grimm, Christine Görner, Nicolai Gedda, Cesare Curzi, Bavarian Radio Chorus, Franz Allers | C Major | 2 | 8B | 140 BPM | ||
Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro | Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra | E♭ Major | 1 | 5B | 128 BPM | ||
Strauss Jr., J.: Kaiser-Walzer, Op. 437 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM | ||
Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | E♭ Major | 2 | 5B | 106 BPM | ||
Erlöst, befreit, für alle Zeit! (Hänsel und Gretel) | Res Fischer, Marianne Schech, Münchener Philharmoniker, Elisabeth Lindermeier, Bruno Brückmann, Rita Streich, Horst Günther, Gisela Litz | A Major | 2 | 11B | 174 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
Requiem, Op.48: 3. Sanctus (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Major | 0 | 5B | 173 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
La Traviata: Choeur des bohémiens | Orchestre symphonique de la Radiodiffusion bavaroise | A Major | 2 | 11B | 122 BPM |
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