"Cantique de Jean Racine, Op. 11 (arr. for choir, violas, cellos, basses and harp)" by Gabriel Fauré, The Cambridge Singers, City of London Sinfonia, John Rutter was released on April 1, 2010. Since Cantique de Jean Racine, Op. 11 (arr. for choir, violas, cellos, basses and harp) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 16 in Faure: Requiem - Messe basse by Gabriel Fauré, The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cantique de Jean Racine, Op. 11 (arr. for choir, violas, cellos, basses and harp) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantique de Jean Racine, Op. 11 (arr. for choir, violas, cellos, basses and harp) by Gabriel Fauré, The Cambridge Singers, City of London Sinfonia, John Rutter is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Nathalie Stutzmann, Elizabeth Norberg-Schulz, Roy Goodman | E Minor | 0 | 9A | 84 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Miserere | Gregorio Allegri, Sistine Chapel Choir, Massimo Palombella | G Minor | 0 | 6A | 127 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Agnus Dei | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | F Minor | 3 | 4A | 120 BPM | ||
Panis Angelicus (arr. for tenor, choir and chamber ensemble) | Anonymous, César Franck, Frieder Lang, Regula Schüpbach, Praxedis Rutti, Daniel Winiger, Zurich Boys Choir, Alphons von Aarburg | A Major | 1 | 11B | 128 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. How Lovely Is Thy Dwelling Place (Sung in English) | Johannes Brahms, The Cambridge Singers, Aurora Orchestra, John Rutter | E♭ Major | 2 | 5B | 106 BPM |
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