"Magnificat in C Major: II. Et exultavit spiritus meus" by Johann Kuhnau, Miah Persson, Yukari Nonoshita, Akira Tachikawa, Chiyuki Urano, Gerd Türk, Bach Collegium Japan, Masaaki Suzuki was released on December 31, 1999. The duration of Magnificat in C Major: II. Et exultavit spiritus meus is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Magnificat in C Major: II. Et exultavit spiritus meus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bach Collegium Japan, Masaaki Suzuki's "Kuhnau / Zelenka / Bach: Magnificat" album is number 2 out of 31. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Magnificat in C Major: II. Et exultavit spiritus meus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in C Major: II. Et exultavit spiritus meus by Johann Kuhnau, Miah Persson, Yukari Nonoshita, Akira Tachikawa, Chiyuki Urano, Gerd Türk, Bach Collegium Japan, Masaaki Suzuki to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Fresh Keyboard Fruits, Sonata No. 3: I. [No tempo indication] | Johann Kuhnau, John Butt | F♯ Major | 1 | 2B | 91 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
Ach Gott, wie lässt du mich erstarren | Johann Kuhnau, Opella Musica, Camerata Lipsiensis, Gregor Meyer | B Major | 1 | 1B | 136 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM |
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