"Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Wenn das Herz aus Kristall - Live" by Richard Strauss, James King, Sally Arneson, Marjorie Vance, Sylvia Herman, Milkana Nikolova, Gertrude Jahn, Margaretha Hintermeier, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Wenn das Herz aus Kristall - Live is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #9. Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Wenn das Herz aus Kristall - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Wenn das Herz aus Kristall - Live by Richard Strauss, James King, Sally Arneson, Marjorie Vance, Sylvia Herman, Milkana Nikolova, Gertrude Jahn, Margaretha Hintermeier, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM |
Section: 0.767404317855835
End: 0.7703816890716553