"Nedudim (Wanderings): I. — - Live" by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh was released on March 3, 2017. With this song being about 5 minutes long, at 4:57, "Nedudim (Wanderings): I. — - Live" by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Neue Meister Live in Berlin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Nedudim (Wanderings): I. — - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nedudim (Wanderings): I. — - Live by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trinité | G. I. Gurdjieff, Thomas de Hartmann, Alain Kremski | B♭ Major | 0 | 6B | 73 BPM | ||
Melodies for Saxophone: Melody 2 | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
Sheets | YAKSHA MUSIK | B Major | 1 | 1B | 137 BPM | ||
Relaxing Piano Music, Pt. 81 - Romantic, Episode 8 | Tomasz Trzcinski | E Major | 3 | 12B | 117 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Laurentie | Viviane Audet, Alexis Martin, Robin-Joël Cool | E♭ Minor | 1 | 2A | 76 BPM | ||
Piano Sonata No. 4, Op. 11 | Alexander Mosolov, Elena Dorozhkina | A Major | 1 | 11B | 71 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
ERO ARCTICA: I Dance of the Sea Lion III | Christian Lindberg, Musica Vitae | D♭ Major | 5 | 3B | 78 BPM |
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