Robert Schumann, Alfred Cortot made "Schumann: Kreisleriana, Op. 16: No. 3, Sehr aufgeregt" available on June 2, 2023. The duration of Schumann: Kreisleriana, Op. 16: No. 3, Sehr aufgeregt is about 3 minutes long, at 3:03. Based on our data, "Schumann: Kreisleriana, Op. 16: No. 3, Sehr aufgeregt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 82 in Alfred Cortot Plays Schumann by Robert Schumann, Alfred Cortot. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Schumann: Kreisleriana, Op. 16: No. 3, Sehr aufgeregt is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Schumann: Kreisleriana, Op. 16: No. 3, Sehr aufgeregt by Robert Schumann, Alfred Cortot is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Spanische Liebeslieder, Op. 138: 4. Bedeckt mich mit Blumen | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Gerold Huber, James Cheung | B♭ Major | 3 | 6B | 108 BPM | ||
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
Waldszenen, Op. 82: No. 1 Eintritt | Robert Schumann, Maria João Pires | B♭ Major | 0 | 6B | 126 BPM | ||
Schumann Variation (on a Theme from Piano Concerto in A Minor, Op. 54: I) | Florian Christl, Robert Schumann | C Major | 1 | 8B | 112 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM |
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