"Hassan, DCW 8, Act 2 Scene 1: No. 4, General Dance. Andante moderato – Allegro – Più mosso" by Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips was released on April 19, 2024. The duration of Hassan, DCW 8, Act 2 Scene 1: No. 4, General Dance. Andante moderato – Allegro – Più mosso is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hassan, DCW 8, Act 2 Scene 1: No. 4, General Dance. Andante moderato – Allegro – Più mosso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 50 in Delius: Hassan - complete incidental music by Zeb Soanes, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hassan, DCW 8, Act 2 Scene 1: No. 4, General Dance. Andante moderato – Allegro – Più mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hassan, DCW 8, Act 2 Scene 1: No. 4, General Dance. Andante moderato – Allegro – Più mosso by Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
Songs of Sunset: By the sad waters of separation | Frederick Delius, Royal Philharmonic Orchestra, Ambrosian Singers, Thomas Allen, Sarah Walker, Eric Fenby | C Minor | 1 | 5A | 88 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Songs of Sunset: They are not long, the weeping and the laughter | Frederick Delius, Royal Philharmonic Orchestra, Ambrosian Singers, Thomas Allen, Sarah Walker, Eric Fenby | A Minor | 0 | 8A | 174 BPM | ||
Liebestraum | Franz Liszt, Arthur Rubinstein | A♭ Major | 2 | 4B | 95 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM |
Section: 0.9200701713562012
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