"The Armed Man - A Mass For Peace: II. The Call to Prayers (Adhaan)" by Karl Jenkins, Mohammed Gad, London Philharmonic Orchestra was released on 2001. The duration of The Armed Man - A Mass For Peace: II. The Call to Prayers (Adhaan) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. The Armed Man - A Mass For Peace: II. The Call to Prayers (Adhaan)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #2. Based on our statistics, The Armed Man - A Mass For Peace: II. The Call to Prayers (Adhaan)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: II. The Call to Prayers (Adhaan) by Karl Jenkins, Mohammed Gad, London Philharmonic Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Rachmaninov: Vespers, Op. 37: No. 6, Bogoroditse Devo | Sergei Rachmaninoff, Edward Higginbottom, Choir of New College, Oxford | F Major | 1 | 7B | 121 BPM | ||
La Vita è bella (Life is Beautiful) Suite: IV. Il carrarmato | Nicola Piovani, Dirk Brossé, London Philharmonic Orchestra | A♭ Major | 4 | 4B | 150 BPM | ||
The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped | Karl Jenkins, London Philharmonic Orchestra | D Minor | 1 | 7A | 81 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Il primo libro di canzoni: Cíaccona | Andrea Falconieri, Australian Brandenburg Orchestra, Paul Dyer | F♯ Major | 5 | 2B | 137 BPM |
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