"Berliner Messe: VII. Sanctus" by Arvo Pärt, Benjamin Saunders, Leeds Cathedral Choir, Daniel Justin was released on September 1, 2015. The duration of Berliner Messe: VII. Sanctus is about 3 minutes long, at 3:17. Based on our data, "Berliner Messe: VII. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 15 in Arvo Pärt: Organ and Choral Music by Arvo Pärt, Benjamin Saunders, Leeds Cathedral Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Berliner Messe: VII. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berliner Messe: VII. Sanctus by Arvo Pärt, Benjamin Saunders, Leeds Cathedral Choir, Daniel Justin is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
If I Were A Swan | Kevin Puts, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 85 BPM | ||
All-night Vigil, Op. 37, "Vespers": Beginning song: Come let us worship | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 81 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Berlin By Overnight | Max Richter, Louisa Fuller | F♯ Major | 3 | 2B | 92 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205 | Carl Friedrich Abel, John Dornenburg | D♭ Minor | 1 | 12A | 77 BPM |
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