"Es Wir Schier Der Letzte Tag Herkommen Bwv 310" by Nicol Matt, Nordic Chamber Choir, Ute Petersilge, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Robert Sagasser, Martina Rotbauer, Jörg Halobek, Jens Wollenschläger, Heike Hümmer was released on March 28, 2007. With Es Wir Schier Der Letzte Tag Herkommen Bwv 310 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 49 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Es Wir Schier Der Letzte Tag Herkommen Bwv 310 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Es Wir Schier Der Letzte Tag Herkommen Bwv 310 by Nicol Matt, Nordic Chamber Choir, Ute Petersilge, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Robert Sagasser, Martina Rotbauer, Jörg Halobek, Jens Wollenschläger, Heike Hümmer is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wer nur den Lieben Gott lasst walten (Choral) | Felix Mendelssohn, Gesine Adler, GewandhausChor, Leipzig Mendelssohn Orchestra, Gregor Meyer | D♭ Major | 1 | 3B | 74 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: II. Largo | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | B Minor | 1 | 10A | 66 BPM | ||
Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 4 | 3B | 130 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 89 BPM | ||
Locker Rooms | Marie Glacier | D Minor | 1 | 7A | 68 BPM | ||
Variasjoner over Med Jesus vil eg fara: V. Var 4 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM |
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