Silvius Leopold Weiss, Lutz Kirchhof made "Suite in G Minor: VI. Gigue" available on 1992. The duration of Suite in G Minor: VI. Gigue is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Suite in G Minor: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #20 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in G Minor: VI. Gigue is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Suite in G Minor: VI. Gigue by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in G Minor: VI. Gigue being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in G Minor for Guitar (1) | Andrei Sychra, Marten Falk | G Minor | 0 | 6A | 130 BPM | ||
Tarphicken | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 75 BPM | ||
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM | ||
Preludio Secondo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 0 | 2B | 93 BPM | ||
Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
Sonata No. 1 in F Major, WeissSW 1: VII. Gigue | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
The First Part of Ayres: Captaine Humes Pavan | Tobias Hume, John Dornenburg | F♯ Minor | 0 | 11A | 74 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM |
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