- BPM
- 79
- Key
- A Major
- Camelot
- 11B
Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia - André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden Information
- Acousticness
- 95%
- Danceability
- 12%
- Energy
- 2%
- Instrumentalness
- 96%
- Liveness
- 26%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -30.281 dB
Summary
"Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia" by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden was released on 1988. The duration of Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia BPM
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | |
 | Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | |
 | Véronique - opéra comique / Acte I: Dialogue 1 | André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Choeur De Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Robert Destain, Roger Bourdin, Max De Rieux, Marcel Carpentier, Sophie Mallet, Jackie Sardou, Chantal De Rieux, Roland Bourdin, Micheline Castellier, Claude Jourdain | B♭ Major | 3 | 6B | 102 BPM | |
 | Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | |
 | Messager: Fortunio, Act 2: "Il s'agit d'une amie à moi" (Jacqueline, Fortunio) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Thierry Dran, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 119 BPM | |
 | Divertimento No. 15 in B-Flat Major, K. 287: II. Theme and Variations: g) Variation VI | Wolfgang Amadeus Mozart, Arturo Toscanini | F Major | 1 | 7B | 108 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | |
| Messager: Fortunio, Act 3: "Fortunio, sommes-nous seuls ?" (Jacqueline, Fortunio) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Thierry Dran, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 119 BPM | |
 | La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.786820650100708
End: 0.7911345958709717