"Katya Kabanova, JW I/8, Act III Scene 2: "Ale smrt nepřichází"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill was released on February 23, 2024. With this song being about 5 minutes long, at 5:18, "Katya Kabanova, JW I/8, Act III Scene 2: "Ale smrt nepřichází"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 17 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act III Scene 2: "Ale smrt nepřichází" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act III Scene 2: "Ale smrt nepřichází" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Katya Kabanova, JW I/8, Act I Scene 1: "Co pak je?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Simon O'Neill, Claire Barnett-Jones | D Major | 1 | 10B | 96 BPM | ||
Taras Bulba, JW VI/15: I. The Death of Andrei | Leoš Janáček, Czech Philharmonic, Karel Ančerl | B Major | 1 | 1B | 141 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
Drei Klavierstücke, D946: III. Allegro | Franz Schubert, Fabian Müller | A Major | 1 | 11B | 87 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM |
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