- BPM
- 64
- Key
- F Minor
- Camelot
- 4A
Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two - Giovanni Pacini, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Franca Mattiucci Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 12%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -21.407 dB
Summary
"Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two" by Giovanni Pacini, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Franca Mattiucci was released on April 11, 2006. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two BPM
With Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two by Giovanni Pacini, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Franca Mattiucci having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Pacini: Saffo: Al crin le cingete - Dirce, Chorus, Climene - Act Two Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | |
 | La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | |
 | Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | |
 | Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | |
 | Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | |
 | L'Ultimo giorno di Pompei: Act I Scene 1: Viva Sallustio! (Voices in the Distance, Menenio, Sallustio) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | A Major | 1 | 11B | 139 BPM | |
 | Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | |
| L'Ultimo giorno di Pompei: Act I Scene 3: Sopprimerlo? … (Appio, Ottavia) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | C Major | 3 | 8B | 139 BPM | |
 | L'elisir d'amore / Act II: "Ei corregge ogni difetto" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 80 BPM | |
 | Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM |
- ISRC
- US89R0695952
- Label
- L-M Records/RCA Records
Section: 0.6837191581726074
End: 0.6871383190155029