Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508)
Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross
Magic Trumpet
2:41 October 16, 2020
BPM
69
Key
E♭ Major
Camelot
5B

Embed

Share Link

Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) - Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross Information

Acousticness
99%
Danceability
21%
Energy
7%
Instrumentalness
90%
Liveness
14%
Loudness
67%
Speechiness
4%
Valence
16%
Popularity
Loudness
-19.59 dB

Summary

"Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508)" by Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross was released on October 16, 2020. The duration of Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alison Balsom's "Magic Trumpet" album is number 10 out of 20. Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) BPM

We consider the tempo marking of Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) by Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Alles was sonst lieblich heisset: Sinfonia by Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger RemyAlles was sonst lieblich heisset: SinfoniaGottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger RemyF♯ Major12B78 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingSouvenir d'un lieu cher, Op. 42: 3. MélodiePyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingE♭ Major05B99 BPM
Suite No. 2 in F Major, HWV 427: I. Adagio by George Frideric Handel, Seong-Jin ChoSuite No. 2 in F Major, HWV 427: I. AdagioGeorge Frideric Handel, Seong-Jin ChoF Major07B129 BPM
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue by Ralph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraVaughan Williams: Job, a Masque for Dancing, Scene 9: EpilogueRalph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraG Minor06A99 BPM
Gavotte - Arr. for Cello and Piano by Jean-Baptiste Lully, Mischa Maisky, Pavel GililovGavotte - Arr. for Cello and PianoJean-Baptiste Lully, Mischa Maisky, Pavel GililovD Minor07A85 BPM
Bist du bei mir by Gottfried Heinrich Stölzel, Ofra Harnoy, Mike HerriottBist du bei mirGottfried Heinrich Stölzel, Ofra Harnoy, Mike HerriottB♭ Major16B185 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
Pavane pour une infante défunte, M. 19 by Maurice Ravel, Anna VinnitskayaPavane pour une infante défunte, M. 19Maurice Ravel, Anna VinnitskayaE Minor09A67 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto by Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelSymphony for Flute, Oboe, Horn and Strings in D Major: III. PrestoDomenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelD Major110B78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6749403476715088

End: 0.6784160137176514