"Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508)" by Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross was released on October 16, 2020. The duration of Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alison Balsom's "Magic Trumpet" album is number 10 out of 20. Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stölzel / Arr. Balsom: Bist du bei mir (Formerly Attributed to JS Bach as BWV 508) by Gottfried Heinrich Stölzel, Alison Balsom, Mark Caudle, Alistair Ross to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Alles was sonst lieblich heisset: Sinfonia | Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy | F♯ Major | 1 | 2B | 78 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Bist du bei mir | Gottfried Heinrich Stölzel, Ofra Harnoy, Mike Herriott | B♭ Major | 1 | 6B | 185 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM |
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