"Son of Frankenstein (orch. J. Morgan): The Message" by Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg was released on January 9, 1996. The duration of Son of Frankenstein (orch. J. Morgan): The Message is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Son of Frankenstein (orch. J. Morgan): The Message's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Salter / Skinner: Monster Music". In this album, this song's track order is #3. Son of Frankenstein (orch. J. Morgan): The Message is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Son of Frankenstein (orch. J. Morgan): The Message by Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over! Over! Over! Over! Game Over! | Marcel Barsotti | F Major | 3 | 7B | 135 BPM | ||
Time After Time (From "It Happened In Brooklyn") | Kathryn Grayson | C Major | 2 | 8B | 73 BPM | ||
The Wolf Man: The Kill (H. Salter, C. Previn) [Orch. J. Morgan] | Frank Skinner, Hans J. Salter, Moscow Philharmonic Orchestra, William Stromberg | A Minor | 0 | 8A | 82 BPM | ||
The Son Of Kong: Runaway Blues | Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max Steiner | F Major | 0 | 7B | 138 BPM | ||
The Little Masons' March | Adán Ramírez | D Major | 3 | 10B | 98 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | ||
A Boat in the Fog | Max Steiner | D♭ Minor | 0 | 12A | 63 BPM |
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