Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra's 'Piano Concerto No. 5 in D Major, K. 175: I. Allegro' came out on 1976. Since Piano Concerto No. 5 in D Major, K. 175: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 1 out of 83. Based on our statistics, Piano Concerto No. 5 in D Major, K. 175: I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 5 in D Major, K. 175: I. Allegro by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
Piano Concerto No. 4 in G Major, K. 41: III. Molto allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | G Major | 2 | 9B | 141 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.5 in D major BWV850 | Daniel Barenboim | D Major | 1 | 10B | 72 BPM | ||
String Quartet No. 1 in G Major, K. 80: I. Adagio | Eder Quartet | G Major | 1 | 9B | 92 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance (Arr. J. N. Hummel for piano, flute, violin and cello) | Wolfgang Amadeus Mozart, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi | B♭ Major | 1 | 6B | 94 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Lieder ohne Worte, Op. 19, No. 3 - Instrumental | Felix Mendelssohn, Murray Perahia | A Major | 2 | 11B | 62 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Itzhak Perlman, Daniel Barenboim, English Chamber Orchestra | A Minor | 3 | 8A | 109 BPM |
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