"Un ballo in maschera: Act III: Forse la soglia attinse" by Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Alfredo Simonetto was released on September 1, 2015. The duration of Un ballo in maschera: Act III: Forse la soglia attinse is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Un ballo in maschera: Act III: Forse la soglia attinse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #15. In terms of popularity, Un ballo in maschera: Act III: Forse la soglia attinse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un ballo in maschera: Act III: Forse la soglia attinse by Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Alfredo Simonetto having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
La Sonnambula / Act 1: Viva! Viva Amina! | Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F♯ Minor | 1 | 11A | 116 BPM | ||
Bizet: Carmen, Act II: No.14 Couplets: Votre toast, je peux vous le rendre...Toréador, en garde! (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga/Amis d'Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 3 | 7B | 175 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM |
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