"3 Pieces for Orchestra, Op.6: 1. Praeludium (Prelude)" by Alban Berg, Bavarian Radio Symphony Orchestra, Sir Colin Davis was released on January 1, 1985. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 5 in Berg: Violin Concerto; Three Orchestral Pieces by Alban Berg, Gidon Kremer, Bavarian Radio Symphony Orchestra, Sir Colin Davis. In terms of popularity, 3 Pieces for Orchestra, Op.6: 1. Praeludium (Prelude) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Pieces for Orchestra, Op.6: 1. Praeludium (Prelude) by Alban Berg, Bavarian Radio Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Cello Concerto, Tout un monde lointain: III. Houles (Large et ample) | Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris | D Major | 2 | 10B | 121 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) | Aaron Copland, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 139 BPM | ||
Piano Sonata No. 6 in A Major, Op. 82: III. Tempo di valzer lentissimo | Sergei Prokofiev, Ivo Pogorelich | D♭ Major | 0 | 3B | 66 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Lulu / Act 1: "Den hab' ich mir auch ganz anders vorgestellt" | Alban Berg, Teresa Stratas, Toni Blankenheim, Orchestre de l'Opéra de Paris, Pierre Boulez | E♭ Major | 1 | 5B | 78 BPM | ||
Berg: Three Pieces for Orchestra, Op. 6: II. Reigen | Alban Berg, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 87 BPM | ||
Dance Preludes *: No. 5. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B♭ Major | 2 | 6B | 131 BPM |
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