"Wiegenlied" by Alfredo Kraus was released on July 18, 2014. With Wiegenlied being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 28 in Arias Famosas by Alfredo Kraus. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Wiegenlied is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wiegenlied by Alfredo Kraus is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Popurrí Cantoral | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | C Minor | 3 | 5A | 65 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
La gran via: Introducción y polca de las calles | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 121 BPM | ||
Preludio | Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
La gran via: Vals del caballero de Gracia | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 4 | 8B | 101 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Funiculi Funicula | Luigi Denza, Richter, Alfredo Kraus, Andre Toffel, Domenico Modugno, Eleazar MartÍnez, Emilio Pericoli, Jean Febrar, Jean Febrer, Los Pianos Barracos, Violenes Magicos de Villafontana | E♭ Major | 4 | 5B | 141 BPM |
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