"Piano Concerto No. 3 in C Minor, Op. 37: II. Largo" by Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra was released on 2012. Since Piano Concerto No. 3 in C Minor, Op. 37: II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "The Beethoven Journey: The Complete Piano Concertos". In this album, this song's track order is #5. In terms of popularity, Piano Concerto No. 3 in C Minor, Op. 37: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in C Minor, Op. 37: II. Largo by Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Haydn: Piano Concerto in F Major, Hob. XVIII:3: I. Allegretto | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | E♭ Major | 0 | 5B | 70 BPM | ||
Adagio For Strings, Op. 11: 2. Molto adagio | Samuel Barber, Emerson String Quartet | B♭ Minor | 1 | 3A | 84 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Maria João Pires, Daniel Harding, Swedish Radio Symphony Orchestra | G Major | 0 | 9B | 133 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, George Szell, Leon Fleisher, Cleveland Orchestra | B Major | 0 | 1B | 82 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Sérénade mélancolique, Op. 26, TH 56 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM |
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