"Contrastes: VI. Fugue/Tango" by Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux was released on April 14, 2023. With Contrastes: VI. Fugue/Tango being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Richard Galliano: Madreperla". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Contrastes: VI. Fugue/Tango's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contrastes: VI. Fugue/Tango by Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM | ||
Fandango: III. Fandanguito | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | D Major | 5 | 10B | 68 BPM | ||
The Go-Between | Michel Legrand, Richard Galliano | D Minor | 1 | 7A | 75 BPM | ||
The Godfather - Love Theme | Nino Rota, Richard Galliano, John Surman, Dave Douglas, Clarence Penn, Boris Kozlov | C Minor | 0 | 5A | 122 BPM | ||
Aria da suonare XIX col violoncello e spinetta o violone: I.Adagio | Giulio Taglietti, Hanna Salzenstein, Thibaut Roussel | C Major | 2 | 8B | 97 BPM | ||
Concerto No. 2, "As Above so Below": II. Sinfonia - After Sinfonia, Cantata "Ich hatte viel Bekümmernis", BWV 21 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Minor | 1 | 5A | 111 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Waltz for Nicky | Richard Galliano | B Minor | 6 | 10A | 113 BPM | ||
L'homme A La Moto | Wynton Marsalis, Richard Galliano | A♭ Minor | 9 | 1A | 156 BPM |
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