Michael Oesterle, Constantinople, Françoise Atlan's 'Tres Sonetos: Escoge antes el morir que exponerse a los ultrajes de la vejez (Soneto 148)' came out on March 29, 2011. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Early Dreams by Constantinople. Based on our statistics, Tres Sonetos: Escoge antes el morir que exponerse a los ultrajes de la vejez (Soneto 148)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tres Sonetos: Escoge antes el morir que exponerse a los ultrajes de la vejez (Soneto 148) by Michael Oesterle, Constantinople, Françoise Atlan is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluya | Alta Musica, Caroline Schneider, Dagmar Jaenicke, Michael Metzler, Rainer Böhm | A Major | 0 | 11B | 73 BPM | ||
Rebap Taksim - Mahur Peşrev | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Ardennes: VIII. Canzonetta | Michael Oesterle, Winona Zelenka | D Major | 0 | 10B | 84 BPM | ||
La Sultane, Sonade en quatuor: III. Air (Tendrement) | François Couperin, Gli Incogniti, Amandine Beyer | D♭ Major | 1 | 3B | 103 BPM | ||
L'impromptu: Allemande | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Mich stráft aín wachter: II. wachter, des wil ich volgen | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
Intrada à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Cello Concerto: IV. The Crucible Technique | Michael Oesterle, Manitoba Chamber Orchestra, Anne Manson, Ariel Barnes | G Major | 0 | 9B | 140 BPM | ||
Spera, mi disse amore (Arr. Fateyeva and Enzian for Soprano Saxophone and Baroque Harp) - Musical Moments | Orazio Michi, Asya Fateyeva, Luise Enzian | A Minor | 1 | 8A | 94 BPM |
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