"O Mio Babbino Caro" by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL had its release date on May 1, 2010. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. O Mio Babbino Caro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL's "Musica di Venezia" album is number 14 out of 19. On top of that, Netherlands appears to be the country where this track was created. O Mio Babbino Caro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Mio Babbino Caro by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacrum, R.586 - rev. Franz Giegling: 5a Agnus Dei: (Adagio - Allegro) Agnus Dei | Antonio Vivaldi, Anne Collins, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Adrian Beers, John Constable, Olga Hegedus | G Major | 1 | 9B | 83 BPM | ||
Iam Lucis Orto Sidere | The Royal Wind Music | E♭ Major | 1 | 5B | 108 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Koral og fuge over Kirken den er et gammelt hus | Knut Nystedt, Anders Eidsten Dahl | C Minor | 0 | 5A | 71 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": V. Andante "Ich harrete des Herrn" | Felix Mendelssohn, Christiane Karg, Maria Bernius, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | F Major | 4 | 7B | 84 BPM | ||
's Heeren stem over het water | Pieter Jan Leusink, Urker Mannen Ensemble | E♭ Major | 4 | 5B | 91 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Requiem in D Minor, Op. 48: Pie Jesu | Gabriel Fauré, Maja Roodveldt, Hungarian Chamber Orchestra, Pieter Jan Leusink | F♯ Major | 1 | 2B | 73 BPM | ||
Missa Paschalis, ZWV 7: Credo. Credo in unum Deum | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM |