Alfred Deller's 'The Three Ravens' came out on March 4, 2008. The duration of The Three Ravens is about 3 minutes long, at 3:23. Based on our data, "The Three Ravens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "The Art Of Alfred Deller: The Counter-tenor Legacy". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The Three Ravens is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Three Ravens by Alfred Deller having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
The Wind and the Rain | The Deller Consort, Alfred Deller | E♭ Major | 0 | 5B | 73 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
King Arthur: Act I, sc.2: [2.1] Bass: "Woden first to thee" [2.2] Chorus: "Brave Souls" [2.3] Counter-tenor: "I call ye all" | Henry Purcell, The Deller Consort and Choir, Alfred Deller, Continuo, The King’s Musick | E Major | 1 | 12B | 172 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
The Plaint | Henry Purcell, Alfred Deller | F♯ Minor | 1 | 11A | 135 BPM | ||
Come away, come, sweet love | John Dowland, Alfred Deller, Robert Spencer | G Minor | 0 | 6A | 133 BPM | ||
Thomas Arne- The Street Intrigue | Alfred Deller, Deller Consort | D♭ Major | 3 | 3B | 117 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
A Midsummer Night's Dream / Act 1: "What Thou Seest When Thou Dost Wake" | Benjamin Britten, Alfred Deller, London Symphony Orchestra | C Major | 1 | 8B | 137 BPM |
Section: 1.1158874034881592
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