"Ideale" by Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel was released on January 1, 2002. The duration of Ideale is about 3 minutes long, at 3:11. Based on our data, "Ideale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 17 in Andrea Bocelli - Sentimento by Andrea Bocelli, London Symphony Orchestra, Lorin Maazel, Franz Liszt, Gioachino Rossini, Jacques Offenbach, Jean-Paul-Égide Martini, Joaquín Rodrigo, Luigi Denza, Francesco Paolo Tosti, Ruggero Leoncavallo, Stanislao Gastaldon, Stefano Donaudy. In terms of popularity, Ideale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ideale by Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Puccini: La rondine, Act 2: "Bevo al tuo fresco sorriso" (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) | スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ | D Major | 1 | 10B | 80 BPM | ||
Turandot (2002 Digital Remaster): Signore, ascolta | Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras | F♯ Major | 1 | 2B | 85 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM |
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