Ida Haendel's 'Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana (Live)' came out on April 21, 2017. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ida Haendel, Derek Bampton's "Ida Haendel, Vol. 1 (Live)" album is number 3 out of 11. Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana (Live) by Ida Haendel to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porgy and Bess: A Woman Is a Sometime Thing (Arr. Heifetz for Violin and Piano) | George Gershwin, Randall Goosby, Zhu Wang | G Minor | 2 | 6A | 119 BPM | ||
Divertimento No. 1, Op. 20: I. Jo alapos csardas (A richly done csardas) | Leó Weiner, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 95 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
Hungarian Folk Tunes: 2. Andante non molto (Arr. Szigeti for Violin and Piano) | Béla Bartók, Ida Haendel, Ivor Newton | G Major | 0 | 9B | 111 BPM | ||
タイスの瞑想曲 | Jules Massenet, Iwao Furusawa | G Major | 1 | 9B | 88 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Violin Sonata No.1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Isabelle Faust, Florent Boffard | A Major | 2 | 11B | 141 BPM | ||
12 Fantaisies: No. 1 in B-Flat Major, TWV 40:14: Fantasie No. 1 in B-Flat Major, TWV 40:14 | Georg Philipp Telemann, Augustin Hadelich | D Minor | 1 | 7A | 81 BPM | ||
Concerto for Violin and Winds: I. Con brio | George Lloyd, Cristina Anghelescu, Philharmonia Orchestra, David Parry | A Minor | 2 | 8A | 106 BPM |
Section: 0.7921030521392822
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