Aaron Copland, Isaac Stern, Milton Katims, Columbia Symphony Orchestra made "4 Dance Episodes from Rodeo: No. 4, Hoe Down (Arranged for Violin & Orchestra)" available on 1963. The duration of 4 Dance Episodes from Rodeo: No. 4, Hoe Down (Arranged for Violin & Orchestra) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 4 Dance Episodes from Rodeo: No. 4, Hoe Down (Arranged for Violin & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Isaac Stern's "Humoresque: Favorite Violin Encores" album is number 20 out of 20. On top of that, United States appears to be the country where this track was created. The popularity of 4 Dance Episodes from Rodeo: No. 4, Hoe Down (Arranged for Violin & Orchestra) is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 4 Dance Episodes from Rodeo: No. 4, Hoe Down (Arranged for Violin & Orchestra) by Aaron Copland, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Romeo and Juliet Suite No. 3, Op. 101: V. Aubade (Morning Serenade) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | G Major | 2 | 9B | 57 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
L'apprenti sorcier | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | D♭ Major | 3 | 3B | 117 BPM |
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