On August 5, 2022, the song "Romanian Folk Dances in Janoska Style: VI. Mărunțel" was released by Janoska Ensemble. With Romanian Folk Dances in Janoska Style: VI. Mărunțel being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Big B's". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Austria. Based on our statistics, Romanian Folk Dances in Janoska Style: VI. Mărunțel's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Romanian Folk Dances in Janoska Style: VI. Mărunțel by Janoska Ensemble having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In a Lonely Place | Cho Young-Wuk | G Major | 2 | 9B | 174 BPM | ||
Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | ||
Porgy and Bess: It Ain’t Necessarily So (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 1 | 10A | 168 BPM | ||
美麗四季夏 | 蘇顯達, 真如 | G Major | 2 | 9B | 91 BPM | ||
Musette Pour Fritz | Frantisek Janoska, Janoska Ensemble | F Minor | 3 | 4A | 67 BPM | ||
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano) | Franz Schubert, Alexander Hülshoff, Andreas Frolich | C Major | 1 | 8B | 130 BPM | ||
Lieder Ohne Worte, Viertes Heft, Op. 53 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Cello Concerto in C Minor, Op. 43: II. Moderato | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | D Minor | 1 | 7A | 137 BPM | ||
Par La Fôret | Pierre-André Athané | D Minor | 1 | 7A | 164 BPM |
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