"Par La Fôret" by Pierre-André Athané was released on November 20, 1999. With Par La Fôret being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 24 in Cine Souvenirs (Edited) by Pierre-André Athané. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Par La Fôret is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Par La Fôret by Pierre-André Athané is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
二つの悲しき旋律: 第1曲: 傷ついた心 | Edvard Grieg, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
El Saltarín | Eddy Marcano | F Major | 5 | 7B | 150 BPM | ||
Phantasy for Violin and Chamber Orchestra | Ina Boyle, Daniel Hope, Thessaloniki State Symphony Orchestra, Daniel Geiss | E Minor | 1 | 9A | 92 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
Sonata No. 11 in F Major: III. Largo | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | D Minor | 2 | 7A | 67 BPM | ||
Bach: Ave Maria (Arr. by Charles Gounod) | Su Shien-Ta, Yu Tsui-Ling | C Major | 1 | 8B | 173 BPM | ||
Summer | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
They Liked Our Music - From the Netflix Film "Thelma the Unicorn" | John Powell | F♯ Major | 2 | 2B | 109 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
エルガー: 朝の歌 作品15-2 | 大河内涼子 | D Minor | 2 | 7A | 108 BPM |
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